Red Light Management

Cordovas

Artist Bio

Rooted in triple-stacked harmonies, southern storytelling, and cosmic country twang, Cordovas create their own version of American roots-rock with That Santa Fe Channel.

The album marks the band’s ATO Records debut, arriving after more than a half-decade’s worth of international touring, communal living, and shared songwriting sessions. It’s a timely — and timeless — version of a sound that’s existed for 50 years, ever since pioneers like the Grateful Dead and the Allman Bothers Band blurred the lines between rock, country, and amplified folk music. If That Santa Fe Channel nods to the band’s influences, though, it’s still a fiercely unique album, recorded in a series of live takes that shine a light not only on Cordovas’ songwriting chops, but their strength as a raw, rugged live band, as well.

That Santa Fe Channel was produced by the Milk Carton Kids’ Kenneth Pattengale in East Nashville, not far from the home that doubles as the band’s rehearsal space, headquarters, and shared living quarters. There, in a converted barn behind the property’s main house, the guys logged countless hours fine-tuning a sound that’s already earned praise from outlets like NPR Music and Rolling Stone, who described the group as “the harmony-heavy, guitar-fueled house band at a Big Pink keg party in 1968.” With its western wooziness and siesta-friendly swagger, That Santa Fe Channel also nods to the band’s other home bases: Southern California, where bassist and band leader Joe Firstman lived for years; and Todos Santos, Mexico, where Cordovas’ five members travel every winter to write new songs, sharpen old standbys, and oversee the acclaimed Tropic of Cancer Concert Series. The result is a record that’s steeped in — but not limited to — southern sounds and California charm. It’s American music without borders.

Years before Cordovas’ formation, Firstman traveled the country as a solo musician. Raised in North Carolina, he moved to Hollywood as a determined 20 year-old, signing a major-label deal with Atlantic Records in 2002. His debut album, War of Women, hit stores one year later. When a dizzying blur of acclaimed shows — including opening dates for Sheryl Crow and Willie Nelson — weren’t enough to satisfy the expectations of a big-budget record label, Firstman lost his contract and took a new job as music director on Last Call with Carson Daly. It was good work, with Firstman performing nightly alongside first-rate musicians like Thundercat and Kamasi Washington. Still, the need to create his own music was ever-present. With Cordovas, he’s found his ultimate vehicle: a collaborative band with multiple lead singers and a collective approach not only to songwriting, but to existing. Cordovas aren’t just bandmates. They’re roommates. They’re co-conspirators. They’re a family.

“The Cordovas are a 24-hour, 7-days-a-week job,” clarifies Firstman, who shares the band’s roster with drummer Graham Spillman, keyboardist Sevans Henderson, and dueling lead guitarists Lucca Soria and Toby Weaver. “You’re always on call to play, to adapt to another man’s idea, to pick up a guitar or look at a lyrics sheet. We’re eating dinner together, hanging out together, and making art. We don’t have rehearsal times, because rehearsal is always. You have to honor the art first, and everything else comes second.”

Living in such close quarters — both at home and on the road — has turned Cordovas into a band of brothers. Stop by the band’s East Nashville compound and you may find Soria and Weaver picking their way through bluegrass songs inside the barn, while Firstman wraps up a family dinner in the kitchen and Spillman fixes the band’s RV outside. There’s a communal vibe to the band’s existence that bleeds over into their songs, where it’s often hard to pinpoint a single person’s voice in those thick, swooning harmonies. That Santa Fe Channel is the soundtrack to that communal existence: a collection of songs written together, performed together, and lived together.

And what a soundtrack it is. There’s the Band-influenced boogie-woogie of “Standin’ on the Porch,” full of blue notes and pedal steel. There’s the layered melodies of “I’m the One Who Needs You Tonight,” the classic chord changes of “Selfish Loner,” the barroom piano of “Step Back Red,” and the hungover charm of the album’s opener, “This Town’s a Drag,” which finds Firstman searching for illegal thrills in a dry town. Together, That Santa Fe Channel‘s nine songs paint the picture of a band on the rise, heading for a horizon whose beauty can match their own.

Read More

Tour Dates

Dec 15 2018
Vinyl at Hard Rock Hotel
Las Vegas, NV
Dec 17 2018
The Wayfarer
Costa Mesa, CA
Dec 20 2018
Pappy & Harriet's
Pioneertown, CA
View More
Dec 31 2018
La Morena
Todos Santos, Mexico
Jan 10 2019
Tropic of Cancer Concert Series
Todos Santos, Mexico
Mar 15 2019
Tryckhallen i Hwitans Trädgård
Falkenberg, Sweden
Mar 30 2019
Pavillonen Pavillonsalen
Grenaa, Denmark
Apr 12 2019
Cultuurpodium Boerderij
Zoetermeer, Netherlands
Apr 26 2019
Empire Polo Club
Indio, CA

News

08/02/2018

Cordovas “Are Taking Their Place Amongst The Musical Lineage Of Cosmic Country Greats” – Hear New Song Via NPR Music

ATO Records Debut That Santa Fe Channel, Out August 10th, Is Produced By Milk Carton Kids Kenneth Pattengale - Hear “Talk To Me” Here Band Made Newport Folk Fest Debut…

Read More

06/25/2018

Cordovas Share Second Track From ATO Records Debut That Santa Fe Channel, Add Newport Folk Fest To Extensive Tour

Produced by Milk Carton Kids' Kenneth Pattengale, album is out August 10th, listen to “Frozen Rose” here June 25, 2018 – Nashville’s Cordovas today release “Frozen Rose,” the second track from their…

Read More

06/05/2018

Cordovas Make Their ATO Records Debut With That Santa Fe Channel, Produced By Milk Carton Kids Kenneth Pattengale, Out August 10th

Hear First Single “This Town’s A Drag” Here   Five-Week European Tour Begins This Week, Including First Ever Songpickr Show, U.S. Tour Begins July 18th   U.S. Dates Include NYC,…

Read More