Red Light Management


Artist Bio

Rooted in triple-stacked harmonies, southern storytelling, and cosmic country twang, Cordovas create their own version of American roots-rock with That Santa Fe Channel.

The album marks the band’s ATO Records debut, arriving after more than a half-decade’s worth of international touring, communal living, and shared songwriting sessions. It’s a timely — and timeless — version of a sound that’s existed for 50 years, ever since pioneers like the Grateful Dead and the Allman Bothers Band blurred the lines between rock, country, and amplified folk music. If That Santa Fe Channel nods to the band’s influences, though, it’s still a fiercely unique album, recorded in a series of live takes that shine a light not only on Cordovas’ songwriting chops, but their strength as a raw, rugged live band, as well.

That Santa Fe Channel was produced by the Milk Carton Kids’ Kenneth Pattengale in East Nashville, not far from the home that doubles as the band’s rehearsal space, headquarters, and shared living quarters. There, in a converted barn behind the property’s main house, the guys logged countless hours fine-tuning a sound that’s already earned praise from outlets like NPR Music and Rolling Stone, who described the group as “the harmony-heavy, guitar-fueled house band at a Big Pink keg party in 1968.” With its western wooziness and siesta-friendly swagger, That Santa Fe Channel also nods to the band’s other home bases: Southern California, where bassist and band leader Joe Firstman lived for years; and Todos Santos, Mexico, where Cordovas’ five members travel every winter to write new songs, sharpen old standbys, and oversee the acclaimed Tropic of Cancer Concert Series. The result is a record that’s steeped in — but not limited to — southern sounds and California charm. It’s American music without borders.

Years before Cordovas’ formation, Firstman traveled the country as a solo musician. Raised in North Carolina, he moved to Hollywood as a determined 20 year-old, signing a major-label deal with Atlantic Records in 2002. His debut album, War of Women, hit stores one year later. When a dizzying blur of acclaimed shows — including opening dates for Sheryl Crow and Willie Nelson — weren’t enough to satisfy the expectations of a big-budget record label, Firstman lost his contract and took a new job as music director on Last Call with Carson Daly. It was good work, with Firstman performing nightly alongside first-rate musicians like Thundercat and Kamasi Washington. Still, the need to create his own music was ever-present. With Cordovas, he’s found his ultimate vehicle: a collaborative band with multiple lead singers and a collective approach not only to songwriting, but to existing. Cordovas aren’t just bandmates. They’re roommates. They’re co-conspirators. They’re a family.

“The Cordovas are a 24-hour, 7-days-a-week job,” clarifies Firstman, who shares the band’s roster with drummer Graham Spillman, keyboardist Sevans Henderson, and dueling lead guitarists Lucca Soria and Toby Weaver. “You’re always on call to play, to adapt to another man’s idea, to pick up a guitar or look at a lyrics sheet. We’re eating dinner together, hanging out together, and making art. We don’t have rehearsal times, because rehearsal is always. You have to honor the art first, and everything else comes second.”

Living in such close quarters — both at home and on the road — has turned Cordovas into a band of brothers. Stop by the band’s East Nashville compound and you may find Soria and Weaver picking their way through bluegrass songs inside the barn, while Firstman wraps up a family dinner in the kitchen and Spillman fixes the band’s RV outside. There’s a communal vibe to the band’s existence that bleeds over into their songs, where it’s often hard to pinpoint a single person’s voice in those thick, swooning harmonies. That Santa Fe Channel is the soundtrack to that communal existence: a collection of songs written together, performed together, and lived together.

And what a soundtrack it is. There’s the Band-influenced boogie-woogie of “Standin’ on the Porch,” full of blue notes and pedal steel. There’s the layered melodies of “I’m the One Who Needs You Tonight,” the classic chord changes of “Selfish Loner,” the barroom piano of “Step Back Red,” and the hungover charm of the album’s opener, “This Town’s a Drag,” which finds Firstman searching for illegal thrills in a dry town. Together, That Santa Fe Channel‘s nine songs paint the picture of a band on the rise, heading for a horizon whose beauty can match their own.

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Tour Dates

Mar 22 2022
Leiden, Netherlands
Mar 23 2022
Tivoli Vredenburg
Utrecht, Netherlands
Mar 24 2022
De Casino
Sint-niklaas, Belgium
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Mar 25 2022
De Bosuil
Weert, Netherlands
Mar 26 2022
De Oosterpoort
Da Groningen, Netherlands
Mar 27 2022
Oldenzaal, Netherlands
Mar 29 2022
Uppsala, Sweden
Mar 30 2022
Rimbo, Sweden
Mar 31 2022 Sundsvall
Sundsvall, Sweden
Apr 01 2022
Bar Moskus
Trondheim, Norway
Apr 02 2022
Bar Moskus
Trondheim, Norway
Apr 03 2022
Sølvane Gard i Kandal
Sandane, Norway
Apr 05 2022
Session Bergen
Bergen, Norway
Apr 06 2022
John Dee Live Club & pub
Oslo, Norway
Apr 07 2022
Kristianstad, Sweden
Apr 08 2022
Falkenberg, Sweden
Apr 09 2022
Göteborg, Sweden
Apr 10 2022
Hagebyhöga Handelsträdgård
Hagebyhöga, Sweden
Apr 11 2022
Nalen Klubb
Stockholm, Sweden
Apr 12 2022
Kungsbacka Teater
Kungsbacka, Sweden
Apr 13 2022
Folk å Rock
Malmö, Sweden
Apr 14 2022
Odense C, Denmark
Apr 15 2022
Esbjerg, Denmark
Apr 17 2022
Paaspop Schijndel 2022
Schijndel, Netherlands
Apr 19 2022
The Joker's Pub
Angers, France
Apr 21 2022
Kafe Antzokia
Bilbao, Spain
Apr 22 2022
Sala El Sol
Madrid, Spain
Apr 23 2022
Cultural factory in Aviles
Avilés, Spain
Apr 24 2022
Little Bobby
Santander, Spain
Apr 26 2022
Aulario "La Bomba"
Cádiz, Spain
Apr 27 2022
Loco Club
Valencia, Spain
Apr 28 2022
Rock & Blues Cafe
Zaragoza, Spain
Apr 29 2022
Sala Bóveda
Barcelona, Spain



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