Red Light Management

Richie Kotzen


Richie Kotzen has always been on a clear, laser-focused mission as an artist. While he is rightfully acknowledged worldwide for being a stellar guitar player, an emotive singer, and, frankly, a balls-out dynamic live performer to boot, Kotzen is quite aware he must maintain an ever-vigilant eye on ensuring one particularly important creative arrow in his artistic quiver continues to be properly nurtured — and that is his songwriting.

“My whole existence has been driven by songs,” Kotzen admits. “I realized when I was very, very young that if I didn’t have a song to sing that, was mine, I probably wouldn’t have much of a future as an artist. That’s where I come from. It’s like I get to live my dream scenario, because my job is doing what I love to do, which is making music. It’s how I live.”

Good songs are indeed Kotzen’s creative stock in trade, and the man has spent decades making sure he delivers the goods on a consistent basis. As a vocalist, Kotzen’s impassioned style exists at the crossroads where the likes of Paul Rodgers, Terence Trent D’Arby (better known these days as Sananda Maitreya), and Rod Stewart meet. All that primal vocal energy also feeds into his love of great songwriting. To that end, Kotzen cites Daryl Hall and Don Henley as two legendary songwriters he respects and looks up to, both of whom he takes cues from for inspiration. “I’m more of a conversational writer,” Kotzen explains. “I don’t write about aliens and spaceships. It’s more about what I’m thinking, and what I’m feeling. Here’s the thing — I wait. I wait until I have something to say — and usually, that’s when it all comes together. When something strikes me, I’ll sing it into my phone, and then it’ll either live there and wait until another day, or I’ll work on it and it’ll end up on an album. That’s my process.”

That said, the muse struck Kotzen in a much different kind of way when he got together with his longtime friend and confidant, Iron Maiden guitarist/backing vocalist and songwriter Adrian Smith, to lay down nine galvanizing tracks for March 2021’s collaborative triumph, SMITH/KOTZEN, in addition to its follow-up four-song Record Store Day EP released later in the same year, November 2021’s aptly rousing BETTER DAYS. What both these hard-charging S/K releases reveal is a creative relationship previously only hinted at through their shared musical brotherhood. “I didn’t know what to expect,” Kotzen reveals. “Adrian would come in with either a lyrical concept or a riff, and then we would work on it together. That would usually lead me into writing another section for the song. If he came in with a chorus, I’d be writing a verse — or, if he came in with the verse, I’d come up with the chorus. We just ping-ponged our ideas back and forth like that.”

One of the best give-and-take SMITH/KOTZEN song examples is “Scars,” a deeply cutting, yearning modern blues-burner of a track wherein Smith provided the verse riff and overall concept and lyric, and then Kotzen improvised the B section for it right there on the spot. “What you hear on the first pre-chorus is the original improv I did when I sat in front of the microphone and just freestyled,” he reports. “The song has a real honest sound to it because of that — and then the chorus just evolved from there.”

The reason SMITH/KOTZEN works so well is quite simple. “The reality is, Adrian and I connected artistically. We just hit it off,” Kotzen confirms. “The shows we performed together earlier this year on the West Coast and in the U.K. were great, and hopefully, it all continues.” (We kinda suspect it will — or, to modify the title of one of the album’s most poignant songs, we do indeed know you now, and we want to see and hear more of what you’ve got to offer.)

Kotzen’s undeniable push-pull skills are apparent not only all throughout SMITH/KOTZEN, but also by way of his continually resonant collaboration with Return to Forever legends bassist Stanley Clarke and drummer Lenny White, along with keyboardist Rachel Z and violinist Karen Briggs, in the jazz-fusion supercollective known as Vertú — “a highlight of my career I’m still very, very proud of,” he clarifies.

In addition to that creative benchmark and his ongoing role as the frontman of the quite formidable rocktastic three-piece band known as The Winery Dogs, Kotzen is an avowed, inveterate solo artist with 22 albums released to date under his own name. None of them are more personally affecting than his February 2020 three-disc retrospectacle 50 FOR 50, released via Kotzen’s own Headroom-Inc. label. Ostensibly intended to celebrate his 50th birthday at the front end of that fateful year, Kotzen found the genesis of 50 FOR 50 by combing through his personal archives to hone in on 50 tracks in various stages of almost-completion in order to come up with the right finishing touches to get them across the finish line. In the process, many of these songs took on a much bigger weight than the songwriter had perhaps initially envisioned.

“I still think it’s one of the best things I’ve done,” Kotzen declares. “And I’m still super-excited about it. A lot of times folks think everything you write about literally happened to you, but sometimes you may write a song about something you saw someone else go through. You may fabricate scenarios and characters from your own mind without even realizing you’re doing it, so the source of creativity becomes much broader than strictly writing about what happened to you specifically.”

Since Kotzen’s planned cross-country tour to support 50 FOR 50 around the album’s initial release timeframe was unfortunately derailed due to the pandemic, he’s now set to return to the live stage with a vengeance in the power-trio format he loves so well, starting in August 2022 to make up those earlier dates as well as play in a number of additional venues. After all, playing his music live is what brings everything together. “I like the flexibility in the level of improvisation I can do in that trio format. I go to that place in my head where I know what I’m feeling when I’m singing onstage, and I connect with it,” Kotzen observes.

Understanding the imprint of his own global artistic reach ultimately brings Richie Kotzen full circle with the feelings evoked by the music he cherished during his own youth, not to mention his regard for the musicians who made it. “Thankfully, I’ve been very lucky in that way,” he concludes. “People tend to gravitate toward others who are carved out of certain like-minded stones, and then you figure out how you fit into each other’s orbit. Me, I like to do that with my music.” Considering how the impact of Kotzen’s ever-expanding catalog stretches to the literal edge of the Earth, we expect the shared orbit of his songs and what they mean to his listenership and fanbase at large will only continue to widen.

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Tour Dates

Jul 13 2024
Islington Assembly Hall
London, United Kingdom
Sep 13 2024
Coach House Concert Hall
San Juan Capistrano, CA
Sep 14 2024
Whisky A Go Go
West Hollywood, CA
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Sep 19 2024
Goldfield Trading Post Roseville
Roseville, CA
Sep 20 2024
Tower Theatre
Fresno, CA
Sep 21 2024
Count's Vamp'd Rock Bar & Grill
Las Vegas, NV
Sep 23 2024
Metro Music Hall
Salt Lake City, UT
Sep 25 2024
Black Sheep
Colorado Springs, CO
Sep 26 2024
Denver, CO
Sep 27 2024
Omaha, NE
Sep 28 2024
Kansas City, MO
Sep 30 2024
City Winery St. Louis
St. Louis, MO
Oct 02 2024
The Blue Note
Harrison, OH
Oct 04 2024
The Magic Bag
Ferndale, MI
Oct 05 2024
Arcada Theatre
St Charles, IL
Oct 07 2024
Jergel's Rhythm Grille
Warrendale, PA
Oct 08 2024
Lorain Palace Theatre
Lorain, OH
Oct 09 2024
The Ridgefield Playhouse
Ridgefield, CT
Oct 10 2024
New York, NY
Oct 11 2024
New York, NY
Oct 12 2024
New York, NY
Oct 15 2024
City Winery Boston
Boston, MA
Oct 17 2024
Tupelo Music Hall
Derry, NH
Oct 18 2024
The Vault Music Hall
New Bedford, MA
Oct 19 2024
Grand Opera House
Wilmington, DE
Oct 20 2024
Suffolk Theater
Riverhead, NY
Oct 22 2024
Rams Head On Stage
Annapolis, MD
Oct 23 2024
Sellersville Theater
Sellersville, PA
Oct 24 2024
Beacon Theatre
Hopewell, VA
Oct 25 2024
Backseat Events
Winchester, VA
Oct 29 2024
City Winery Atlanta
Atlanta, GA
Oct 30 2024
City Winery Nashville
Nashville, TN
Nov 01 2024
Haute Spot
Cedar Park, TX
Nov 02 2024
Granada Theater
Dallas, TX