Red Light Management

Thad Cockrell

Artist Bio

Soon after the release of his most recent album—2009’s To Be Loved—singer/songwriter Thad Cockrell decided to abandon his music career altogether. Burnt-out and disheartened, Cockrell left Nashville for his native North Carolina in search of work “doing anything other than music,” but quickly found himself flooded with song ideas—an unwelcome turn of events that nonetheless led to the founding of his widely beloved band LEAGUES. While finishing up the band’s 2016 album Alone Together, he again felt compelled to make new music, this time of a far more personal and sometimes painfully vulnerable nature. Buoyed by the support of Brittany Howard, whom he first met over a 4 a.m. pitcher of homemade margaritas, Cockrell then set to work on his first solo effort in over a decade: an album that exposes his deepest insecurities and weaknesses, all for the sake of creating a transcendent connection with the audience.

Produced mainly by Tony Berg (an industry veteran who’s worked with everyone from Phoebe Bridgers to the Replacements), Cockrell’s ATO Records debut If in Case You Feel the Same taps into the tremendous depth of expression he’s brought to co-writing for such artists as Joy Williams (on her GRAMMY-nominated 2019 album Front Porch), Devon Gilfillian, Joseph and Mathew Caws of Nada Surf. With its subtle suggestion of emotional risk and possible reward, the album’s title came to Cockrell as a sudden revelation while walking through Nashville’s Shelby Bottoms in the middle of the winter. “I was looking for a concept that was big enough to house all these different songs and ideas, and when that title struck me I got chills,” he says. “I love the inclusivity of it: how it holds space for oneself, but also holds space for others.”

In a loving nod to Phases and Stages by Willie Nelson (one of Cockrell’s favorite artists), If in Case You Feel the Same begins and ends with two distinct halves of the same song: the album’s piano-driven title track, a starkly confessional ballad that ultimately serves as a statement of purpose. Guided by an overwhelming urge to “contribute to the big connection that only music can do,” Cockrell centers every song on a direct transmission of feeling, endlessly laying bare his most closely guarded emotions. And in his vocal performance, Cockrell moves from controlled elegance to unbridled outpouring with ease and grace, an element that’s often beautifully unsettling in effect.

Mixed and engineered by Shawn Everett (Vampire Weekend, Beck, The War on Drugs), the album features an all-star backing band appearing on various songs throughout – Blake Mills (guitar – Alabama Shakes, Laura Marling, Jim James), Chris Dave (drums – D’Angelo, Anderson Paak, Raphael Saadiq), Matt Chamberlain (drums- Bruce Springsteen, Amos Lee, Pearl Jam, David Bowie, Kanye West), Ethan Gruska (piano, synths – Fiona Apple, Phoebe Bridgers, Manchester Orchestra), Ian Fitchuk (multiple instruments – Kacey Musgraves, Shania Twain, Sam Hunt). If in Case You Feel the Same pushes beyond the understated country of Cockrell’s earliest work to illuminate his more idiosyncratic impulses. In dreaming up the album’s thrillingly unpredictable sonic palette, Cockrell built off a batch of recordings he’d self-produced in Nashville with the help of some of his closest musician-friends. Upon heading to Berg’s L.A. studio (then to the legendary Sound City) to complete the production process, he then took care to preserve the intimacy of those original recordings, lending the album a raw vitality that exponentially magnifies its emotional power.

Throughout If in Case You Feel the Same, Cockrell reveals his rare ability to create songs that instantly hit on a visceral level, yet subtly invite intense contemplation. Co-written with Z Berg (formerly of The Like), the album’s heavy-hearted but triumphant lead single “Swingin’” draws inspiration from David Bowie and his uncanny knack for mining massive energy from 12-string acoustic guitar parts—an element that shines especially bright at the song’s wildly defiant chorus (key lyric: “If I’m gonna go down/I wanna go down swingin’”). Another galvanizing moment, graced with Brittany Howard’s soul-stirring guest vocals, “Higher” slips into gospel territory as Cockrell reflects on several significant losses (including a brutal breakup and the death of his grandmother). “I wrote ‘Higher’ in one of the most difficult times in my life, and I started thinking about how you never hear songs about showing gratitude for difficult things,” says Cockrell. “It became a song about being grateful for the defeat, the heartbreak, the sadness. It could be directed to a higher power, but to me it’s more about lifting each other up on a human-to-human level.”

Elsewhere on the album Cockrell drifts into more soulful terrain, adorning the slow-burning “Love Moves In” with tender vocal work that pays homage to R&B chanteuse Sade (“That’s me sending a love letter to her, saying thank you for completely capturing a kid’s imagination,” he notes). And for the centerpiece to If in Case You Feel the Same, Cockrell presents a particularly potent track called “Slow and Steady,” a gloriously unhinged meditation on letting go and holding on. With its simple yet devastating lyrical refrain (“I’ll get over you in time/I’m not ready/I’ll get over you in time/Slow and steady”), the song was sparked from a riff Cockrell stumbled upon while messing around with a stack of guitar pedals at the Nashville studio of producer/engineer Vance Powell, then took on a life of its own as he teamed up with a longtime friend, Roman Candle’s Logan Matheny.

“I called Logan up and told him, ‘I need to record this song with you,’” says Cockrell. “With that song I just really needed to feel like I was building a fort with my buddy in the backyard.” Equal parts reflection and pure catharsis, “Slow and Steady” essentially makes an irrefutable case for honoring your emotional truth no matter how great the cost, the song’s impact undeniably heightened by its kinetic intensity. “When I went and played that one for Tony Berg, I asked what we could do to make it better and he said to me: ‘Nothing—it’s done,’” says Cockrell. “So what you hear on the album is just two friends playing together with all our hearts. I don’t know if I’ve ever recorded anything more powerful.”

That palpable sense of communion infuses all of If in Case You Feel the Same, including Cockrell’s collaborations with Howard. An ardent fan of the Alabama Shakes frontwoman, Cockrell first linked up with Howard thanks to a wholly unexpected introduction from his dear friend, singer/songwriter Becca Mancari. “I never wanted Becca to feel like a pass-through, so I put it out into the universe that if I was meant to meet Britt, it would just happen someday,” says Cockrell. One very late night while hanging out with Howard, Mancari shared some recordings of Cockrell’s songs, which then prompted Howard to hijack Mancari’s phone and send Cockrell a text professing her love for his music. “Twenty minutes later they’re walking into my house, and I’m making mezcal margaritas and playing Britt songs from the new album,” says Cockrell. “At some point she said me, ‘I never like anything, but I love all of this.’” Soon enough, Howard had sent Cockrell’s demos to ATO Records general manager Jon Salter, thus paving the way for his signing to the label.

For Cockrell, one of his greatest hopes for If in Case You Feel the Same: the potential for creating an unlikely unity among those from entirely different walks of life. “One of the things I really wanted to do with this album was make a record with people who didn’t look, think, or believe like me,” says Cockrell. “I had this idea that if we created something really special, maybe it would have some kind of ripple effect—so that when we play these songs live, the people in the audience don’t all look, think, and believe the same too. To me unity comes from diversity, not from sameness, and that’s what makes things really powerful.”

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