Grammy-winning duo Bob Moses debuts the video for “Back Down” today—watch it now via via Dancing Astronaut who call the music “brilliantly evocative.” Stream/share the video here. “Back Down,” taken from the band’s critically acclaimed new album Battle Lines, is currently in the Top 20 at Alternative radio and climbing charts nationwide.

Get Battle Lines on all physicals formats here and digitally here. Check out Bob Moses performing the original version of “Back Down” on Ellen here.

Bob Moses will conclude the North American leg of their Battle Lines tour this Friday at the Palladium in Los Angeles before heading back out on the road early next year. Tickets are on sale now, visit bobmosesmusic.com for more information.

Battle Lines follows Bob Moses’ acclaimed debut album, Days Gone By, featuring their worldwide hit “Tearing Me Up.” The band—Vancouver-bred, Los Angeles-based Tom Howie and Jimmy Vallance—recorded the new album in Los Angeles’ Laurel Canyon, after writing and testing out new material on the road. Inspired by their time playing raves and rock clubs all over the globe since the release of Days Gone By, Battle Lines takes a harder look at the world in which they find themselves.

Critical praise for Battle Lines…

“A killer sophomore album…Battle Lines is a beautiful ode to troubles of all kinds. It kicks out the gate with a groovy, almost industrial rock feel that may shock some die-hard fans, but it only whets our appetite for more.”—Billboard

“Battle Lines…takes on how and why struggles occur both without and within and looks to identify the cause of the suffering – all the while offering grooves for dancing as catharsis.”—WNYC’s Soundcheck

“The marvelous evolution of Bob Moses continues…”—Dancing Astronaut

“A refreshing update to their sound”—Nest HQ

“A proper album odyssey”—Magnetic Magazine

“Their fierce record glistens with amazing hooks and steady beats that
really captivate listeners.”—Northern Transmissions

“Album opener ‘Heaven Only Knows; has the same boisterous stadium melancholy that Chris Martin and co. might use to slay a boggy Glastonbury Festival, while ‘Listen to Me’ is a wonderful earworm mix of fragility and defiance.”—Pitchfork

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