Red Light Management

Artist Bio

There is nothing like the sound of siblings singing together. Whether it’s the Beach Boys or the Everly Brothers—or, more recently, First Aid Kit—absorbing the same breathing rhythms and speech patterns adds an element to vocal harmonies that can be pure magic. With the release of I’m Alone, No You’re Not, the mesmerizing, hypnotic sound of the trio known as Joseph—made up of sisters Allison, Meegan, and Natalie Closner—joins this elite company.

“It’s just second nature, like a fifth limb that’s already on you,” says first-born Natalie. “There’s an ability to anticipate what’s going to happen and blend with it. When Meegan and Allison sing, they know exactly what I’m going to do and when.”

But the Closners didn’t actually start singing together when they were growing up in Oregon, the children of artistic parents (their dad was a jazz singer and drummer, their mom a theater teacher). Natalie was the performer—“the older sister who stood on the edge of the fireplace and told everyone, ‘Watch me!,’“ she says. Twins Meegan and Allison stayed out of her lane, joining in for their mother’s musical theater productions but otherwise avoiding the spotlight.

When Natalie was in college, she began pursuing music more seriously. The summer before her senior year, she went to Nashville to check out the scene and work on her guitar playing and songwriting. She had recorded an EP and done a few rounds of touring when a friend sat her down one day.

“It was kind of dramatic,” she says, “He took me aside and said, ‘I don’t think you really believe in this.’ It stopped me in my tracks.” She thought deeply about the music she was making and had a curious epiphany; she decided to ask her sisters if they would consider singing with her.

Initially, they didn’t really get it. “We thought she was asking us to be background singers, so we didn’t take it that seriously,” says Allison. “It was more commitment than I was expecting—I even tried to leave at one point, but after a while, I was convinced.”

A transformation occurred when the Closners were in the process of recording their first album, Native Dreamer Kin. At the time, they were calling themselves Dearborn, but their producer felt that the name didn’t fit the strength of the music. They went to visit their grandfather Jo, in the eastern Oregon town of Joseph. Allison made a playlist for the trip and called it “Joseph,” which is what influenced the band’s name.

“Once she said it, it just hit us all—that’s what this is and who we are, these are the sounds of the land that we’ve lived on,” says Natalie.
With this new sense of themselves, Meegan and Allison began taking a more active role in the group’s songwriting. Meegan notes that while the process was a “totally new journey” for her, it felt similar to the candor and vulnerability of her long-time journaling—just “pulling out the gold and arranging that into neater lines.”

She and Natalie both point to the song “Honest” as a keystone for the development of I’m Alone, No You’re Not. “We were trying really hard to write a song, but nothing was coming,” recalls Natalie. “One night, Meegan was working on some lyrics and getting frustrated, so she wrote in the margin of the page, ‘I can’t say a true thing. It’s hard to be that honest.’ Immediately after that, her most honest sentence spilled out—‘There’s always two thoughts, one after the other: I’m alone. No, you’re not.’ And she thought, ‘Oh, there’s the song.’ “

Meanwhile, the group was cultivating a devoted fan base in the most traditional ways possible: touring the Western states playing living room shows, backyard parties, and secret house party gigs; reaching an audience directly through such platforms as Noisetrade; selling their self-released CD and building a loyal following step by step. By the time they were approached by ATO Records, Joseph had already built a strong community of fans on its own.

As they moved toward making their second record, the project took an additional turn when the Closners decided to work with some other songwriters in Los Angeles. “We were afraid of it at first because the songs were more pop than we were used to writing,” says Meegan, “but as we internalized them, they started becoming super-important to us.”

They point to “More Alive Than Dead,” co-written with Ethan Gruska, as an example of these contributions. “That song describes an experience with a partner where you have hard things in your combined past,” says Natalie. “You’re haunted by them until you realize that those things are dead, and as long as you dwell on them, you’re missing the real live person in front of you.”

She adds, though, that Gruska was critical in clarifying and sharpening the nuanced emotion of the lyric. “When Ethan sent us back the demo, I lost it, He was able to see the heart of the song and bring it out, cut to the core of what I was trying to say.”

Finally, the women of Joseph recorded the album with acclaimed producer Mike Mogis (Bright Eyes, Jenny Lewis, First Aid Kit) at his studio in Omaha. He was able to open up their expansive, evocative vocal sound with powerful and striking arrangements, adding depth while highlighting their haunting intensity.

“This was our first time doing a recording like this,” says Natalie, “and we learned so much about creativity. Mike is a genius, and he’s just a total maniac as a musician, so he took these bare bones songs and brought them to life with lush, gorgeous textures and sounds.”

The initial reaction to the music on I’m Alone, No You’re Not has been remarkable. Joseph was selected as a #SpotifySpotlight artist, and booked for festivals including Bonnaroo, Pickathon, and Sasquatch even prior to the release of the single “White Flag,” a song inspired by an article predicting a massive earthquake for the Pacific Northwest.

“Reading that created a heaviness that was making us jumpy, scared, and miserable,” says Natalie. “It became clear we had two options: be scared and cowering, backing away from the world into paralysis, or keep moving and live. Defy fear. Wear peace. Find better ways to love the people in our lives instead of huddling together like frightened sheep thinking about earthquakes.”

Most rewarding for the Closner sisters has been feeling the audience response to the new songs, as they tour supporting such artists as James Bay and Amos Lee. “This is really when you learn what’s special about a song, or if it’s special,” says Natalie. “It’s this crazy firecracker thing that happens—‘Am I feeling something? Is anyone? What is this song, what does it do, which parts make the most sense?’

“It really is about connection with people, and we’re so grateful we’ve gotten the chance to do that. This has been a totally wild journey, and we’re constantly blown away with possibility of what could be.”

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Tour Dates

Sep 12 2019
Imperial Vancouver
Vancouver, Canada
Sep 13 2019
The Showbox
Seattle, WA
Sep 14 2019
Roseland Theater
Portland, OR
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Sep 15 2019
Roseland Theater
Portland, OR
Sep 16 2019
Knitting Factory Concert House
Spokane, WA
Sep 19 2019
Englert Theatre
Iowa City, IA
Sep 20 2019
First Avenue
Minneapolis, MN
Sep 21 2019
Vic Theatre
Chicago, IL
Sep 22 2019
Majestic Theatre
Detroit, MI
Sep 24 2019
Mod Club Theatre
Toronto, Canada
Sep 25 2019
Montreal, Canada
Sep 27 2019
Paradise Rock Club
Boston, MA
Sep 28 2019
Webster Hall
New York, NY
Sep 29 2019
Union Transfer
Philadelphia, PA
Oct 02 2019
9:30 Club
Washington, DC
Oct 03 2019
The Orange Peel
Asheville, NC
Oct 04 2019
Austin City Limits Music Festival
Austin, TX
Oct 04 2019
Cannery Ballroom
Nashville, TN
Oct 05 2019
Austin City Limits Music Festival
Austin, TX
Oct 06 2019
Austin City Limits Music Festival
Austin, TX
Oct 09 2019
Granada Theater
Dallas, TX
Oct 10 2019
Tipitina's Uptown
New Orleans, LA
Oct 11 2019
Austin City Limits Music Festival
Austin, TX
Oct 12 2019
Austin City Limits Music Festival
Austin, TX
Oct 13 2019
Austin City Limits Music Festival
Austin, TX
Oct 16 2019
Rialto Theatre
Tucson, AZ
Oct 18 2019
Belly Up Tavern
Solana Beach, CA
Oct 19 2019
Fonda Theatre
Los Angeles, CA
Oct 20 2019
The Fillmore
San Francisco, CA
Nov 01 2019
Antwerp, Belgium
Nov 02 2019
Take Root Festival
Groningen, Netherlands
Nov 03 2019
Paradiso Tuinzaal
Nieuw-amsterdam, Netherlands
Nov 04 2019
Uebel & Gefährlich
Hamburg, Germany
Nov 06 2019
Berlin, Germany
Nov 07 2019
Strom München
Munich, Germany
Nov 08 2019
Cologne, Germany
Nov 09 2019
La Boule Noire
Paris, France
Nov 11 2019
The Hare and Hounds
Birmingham, United Kingdom
Nov 12 2019
Bush Hall
London, United Kingdom
Nov 13 2019
Night People
Manchester, United Kingdom
Nov 14 2019
Glasgow, United Kingdom
Nov 16 2019
The Workman's Club
Dublin, Ireland



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