Red Light Management

Kip Moore

Artist Bio

For the past couple of years, Kip Moore has spent most of his time on the road, building one of country music’s most loyal audiences show by show and plotting what would become his sophomore album, Wild Ones. He was a road warrior, living out of a tour bus with his bandmates and playing more than 200 shows per year.  For a songwriter who’d grown up in a quiet pocket of southern Georgia, performing to crowds across the world — crowds that knew every word to his best-selling debut album, Up All Night — felt like a dream come true.


Somewhere along the way, though, the highway became a lonely place. The routine was always the same: pull into town, play a show, pack up and leave. There was no stability, no comfort. Things weren’t much easier at home in Nashville, where Moore —whose first album had sent three songs to the top of the country charts, including “Beer Money” and “Hey Pretty Girl” —found himself receiving plenty of unsolicited advice from people who wanted to keep the hits coming…at any cost.


“Once you start having a little bit of success,” he says, “all of a sudden, there’s a lot of opinions about who you should be, what you should be doing, how it should be marketed. A lot of those opinions are great, but Wild Ones was influenced by me saying, ‘This is just who I am. I’m not gonna do what other people are doing. I’m not chasing a trend. I’m gonna do the kind of music I wanna do, and the kind of music I think my fans wanna hear, and that’s the end of the story.'”


From amphitheater tours with Dierks Bentley to his own headlining tours across America, Moore has spent the last three years learning what, exactly, his fans want to hear. He’s a genuine road warrior, armed with a live show that mixes the bombast and wild desperation of Bruce Springsteen with the rootsy stomp of Merle Haggard. It’s a sound built on space and swagger. A sound that bangs as hard as it twangs. A sound caught somewhere between blue-collar country music and stadium-sized rock & roll. And that’s the sound that Moore’s fans, who’ve already catapulted him to PLATINUM-selling heights, want to hear.


When it came time to create new music for his second album, Wild Ones, Moore didn’t have to look very far for inspiration. He just took a look around, taking stock of the world as it flew by his bus window at highway speed.


“Everything that’s taken place over the last two years —this traveling circus, these shows, the band, the toll that the road can take on you but also the exuberance it can bring —it all inspired the record,” he explains. “It’s a record about what we’ve gone through, and I wanted the music to match the intensity of what we do every night onstage. We never go through the motions, no matter how tired and exhausted we are.”


Moore wrote or co-wrote all of Wild Ones‘ thirteen tracks, often teaming up with songwriters like Dan Couch or Weston Davis. More than a few songs were born on the road, where Moore found himself coming up with new ones during soundchecks, inside backstage dressing rooms, and in his bunk at night. He’d arrange the songs, too, coming up with bass parts, guitar licks and drum patterns in addition to the melodies. Sometimes, he’d write some lyrics, scrap them, then write a completely different set. The emphasis wasn’t on creating the largest catalog of songs in the shortest time possible; it was on funneling the feeling of a Kip Moore concert into a single album, no matter how much time it took.


Driven forward by electric guitars and gang vocals, “Lipstick” is the album’s most heartfelt tribute to the road, with each verse rattling off a list of the favorite cities Moore and his bandmates have played in the past. Other songs, like “That Was Us,” take a look backward, sketching a picture of the archetypal small-town Saturday nights that filled Moore’s teenage years in Georgia. “Magic,” anchored by one of the anthemic, open-armed choruses of Moore’s career, is loud and lovely, and “Comeback Kid” packs its punch the opposite way: by dialing back the volume and delivering quiet praise to the underdog in all of us.


Befitting an album that was largely inspired by —and written on — the road, Moore recorded Wild Ones during quick breaks in his touring schedule. He’d book one or two days of studio time, then hit the road for three months, then return to Nashville and book more sessions. Gradually, the album started to take shape. Brett James, his longtime friend and ally, co-produced the project.


“We created a lot of space in this record,” Moore says proudly. “It’s not a bunch of people playing all over the place. We tracked a lot of the record with just a three-piece band. If you go to most Nashville recording sessions, there’s gonna be six or seven people in the room. But we recorded this one with less people, just to allow the fans to actually listen to what’s going on. It makes everything sound bigger.”

“Big.” Perhaps that’s the best description for Wild Ones, a super-sized record inspired by the grit, grind, and glamour of the live shows that have helped make Moore a country favorite. For Moore, going big was the only option.


“I’ve always felt like the guy whose cards are stacked against him,” he says. “I’ve always been the underdog, but I also say, ‘You can count me out for a minute, but don’t think I’ll stay down for very long.’”



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Tour Dates

Feb 25 2020
Thirsty Cowboys
Medina, OH
Feb 27 2020
PBR Baltimore: A Coors Banquet Bar
Baltimore, MD
Mar 11 2020
Council Oak Steaks & Seafood (in Seminole Hard Rock)
Tampa, FL
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Mar 17 2020
Hordern Pavilion
Moore Park, Australia
Mar 18 2020
Hordern Pavilion
Moore Park, Australia
Apr 17 2020
Lincoln on the Streets
Lincoln, NE
May 28 2020
PNC Music Pavilion
Charlotte, NC
May 29 2020
Coastal Credit Union Music Park At Walnut Creek
Raleigh, NC
May 30 2020
Jiffy Lube Live
Bristow, VA
Jun 11 2020
Ameris Bank Amphitheatre
Alpharetta, GA
Jun 12 2020
MIDFLORIDA Credit Union Amphitheatre
Tampa, FL
Jun 13 2020
iTHINK Financial Amphiteatre
West Palm Beach, FL
Jun 18 2020
Budweiser Stage
Toronto, Canada
Jun 19 2020
DTE Energy Music Theatre
Clarkston, MI
Jun 20 2020
Hollywood Casino Amphitheatre
Tinley Park, IL
Jun 25 2020
Soaring Eagle Casino
Mount Pleasant, MI
Jun 26 2020
American Family Insurance Amphitheater
Milwaukee, WI
Jun 27 2020
Hollywood Casino Amphitheatre
Maryland Heights, MO
Jul 10 2020
Darling's Waterfront Pavilion
Bangor, ME
Jul 11 2020
Bank of New Hampshire Pavilion
Gilford, NH
Jul 17 2020
BB&T Pavilion
Camden, NJ
Jul 18 2020
Xfinity Center
Mansfield, MA
Jul 19 2020
Xfinity Theatre
Hartford, CT
Jul 24 2020
Northwell Health at Jones Beach Theater
Wantagh, NY
Jul 25 2020
Merriweather Post Pavilion
Columbia, MD
Jul 26 2020
Veterans United Home Loans Amphitheater at Virginia Beach
Virginia Beach, VA
Aug 01 2020
Deseret Peak Complex
Tooele, UT
Aug 06 2020
Arkansas Music Pavilion
Rogers, AR
Aug 07 2020
BankPlus Amphitheater at Snowden Grove
Southaven, MS
Aug 08 2020
Oak Mountain Amphitheatre
Pelham, AL
Aug 14 2020
PNC Bank Arts Center
Holmdel, NJ
Aug 15 2020
S&T Bank Music Park
Burgettstown, PA
Aug 16 2020
Riverbend Music Center
Cincinnati, OH
Aug 20 2020
Blossom Music Center
Cuyahoga Falls, OH
Aug 21 2020
Ruoff Music Center
Noblesville, IN
Aug 22 2020
Des Moines, IA
Aug 27 2020
Six Flags Darien Lake
Darien Center, NY
Aug 28 2020
St. Joseph’s Health Amphitheater at Lakeview
Syracuse, NY
Aug 29 2020
Hersheypark Stadium
Hershey, PA
Sep 10 2020
Austin360 Amphitheater
Austin, TX
Sep 11 2020
The Cynthia Woods Mitchell Pavilion
The Woodlands, TX
Sep 12 2020
Dos Equis Pavilion
Dallas, TX
Sep 17 2020
Toyota Amphitheatre
Wheatland, CA
Sep 18 2020
Shoreline Amphitheatre
Mountain View, CA
Sep 19 2020
FivePoint Amphitheater
Irvine, CA
Sep 24 2020
North Island Credit Union Amphitheatre
Chula Vista, CA
Sep 25 2020
AK Chin Pavilion
Phoenix, AZ
Sep 26 2020
Isleta Amphitheater
Albuquerque, NM




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