Watch Their Performance on the Late Show with Stephen Colbert #playathome series
Listen to Invisible People HERE
PRAISE FOR CHICANO BATMAN:
“retro-tinged resistance funk” – ROLLING STONE
“a pitch-perfect voice of the resistance” – BILLBOARD
“a deeper dimension of sly pop culture references, unapologetic Latin pride, and the thoughtful exploration of popular music’s all pervasive black roots” – NOISEY
“laid-back lounge grooves and a funky swagger” – NPR
“a cross of Tame Impala and Neon Indian…shape their tropicalia-bent indie rock into a glossier pop-style.” — CONSEQUENCE OF SOUND
“You need to know Chicano Batman…with their combination of soul, pop, tropicalia and psych” – THE GUARDIAN
“perfect musical accompaniment for summer cruisin’” — AV CLUB
“supremely groovy” – FADER
(New York, NY): Chicano Batman’s highly anticipated new album ‘Invisible People’ is out today via ATO Records. The album channels the kinetic spirit of Los Angeles into a wildly shapeshifting sound, ultimately finding an unstoppable joy in following Chicano Batman’s most outrageous instincts. While ‘Invisible People’ mines inspiration from krautrock acts like Can and Neu! and the Nigerian synth-funk of William Onyeabor, it also embodies elements of hip-hop and R&B—especially in its endless barrage of addictive hooks and hard-hitting beats.
To celebrate its release, the band performed for The Late Show with Stephen Colbert’s #playathome series. Watch HERE.
“This album is an evolution from our last one in that we put much more thought in our approach to the songwriting and production before hitting record,” guitarist of Chicano Batman Carlos Arévalo says. “We went in with a plan that helped guide the musical direction. We demoed songs for over a year before going into the studio as well. In the past, we’d pool some songs together, rehearse them for a few weeks and go in and simply record them. This time we had a much more elaborate MO; replace organs with synthesizers, make the guitars funkier, and have the drums and bass play beats that make your head bob up and down.
For the album, the band worked with Shawn Everett, the GRAMMY-award winning mixing engineer known for his work with Alabama Shakes, War on Drugs, Kacey Musgraves, and Julian Casablancas. With Leon Michels’ (Sharon Jones & The Dap-Kings, Lee Fields & The Expressions) producing and Everett’s mixing steering the record’s direction, the band’s lush sound has become a more pointed, densely layered soundscape. ‘Invisible People’ is an illuminating and encapsulating listen, one that hasn’t lost the essence that put Chicano Batman on the map and makes a stirring point about the times we’re living in.
Consequence of Sound says the band’s most recent single “Blank Slate” has a “sultry funky rhythm.”
FADER calls “Pink Elephant” a “supremely groovy punchbowl anthem” while Billboardpraises its “warm, funk-damning vignettes.”
The album’s lead track “Color my life” was lauded by Rolling Stone as a “tropicalia-infused thesis on a utopian world where factors like race, gender and class do not preclude the potential for human connection and solidarity” and garnered support from Rivers Cuomo and Danger Mouse. It debuted at # 3 on KCRW’s Top Music Charts and is featured on Spotify’s “Ultimate Indie” and “Good Vibes” playlists.